Archive for the ‘Pop Culture’ Category

The ten commandments of science journalism

Tuesday, August 24th, 2010

Journalists take a lot of flak these days.

For every article bravely shipped to an editor, journos risk a volley from Joe Audience, Jane Stakeholder and even fellow colleagues. Some criticism is well-deserved and well-put. The rest of it is any combination of uninformed, nonconstructive and downright mean.

I lack the institutional knowledge of my, er, “finely aged” colleagues (by no fault of my baby-faced self), but it seems to me that the anonymity, immediacy and searchability of the ‘net has lubricated the delivery of such criticism. In a not-so-great way.

Thus, it’s with great relief that I recently see not one but two very well-crafted criticisms of journalism. The first is Alexis Madrigal’s artful response to a recent Wired magazine piece, the second a review of “The Seven Deadly Sins Of Science Journalism” by Jonathan Parkinson at Science 2.0.

For this post I’m sticking to the latter piece, since it echoes some of the elements of Madrigal’s critique (e.g. sensationalism, oversimplification, getting it wrong, etc.). Also, some would argue the Wired.com blowup isn’t really about science journalism — and this is a sciencey blog, for crissakes!

If you’re too pressed for time, here’s Parkinson’s cardinal list:

  1. Sensationalized reporting
  2. Over-reliance on press releases
  3. Detail-free reporting
  4. Oversimplifying/getting it wrong
  5. Appeal to authority and cheerleading
  6. Jargon
  7. Overworked cliches

I think it’s an extremely valid set of criticisms. But it’s a little light on constructive guidelines for my tastes.

Hence, therefore, I offer you ten commandments of science journalism! (more…)

F***ing magnets, how do they work?

Tuesday, August 17th, 2010

One curse of having a brain comprised of 20ish billion neurons (and 7,000 times as many synaptic connections*) is that music can get seriously stuck in it.

Awful, terrible, mind-numbingly stupid music.

Case in point, the Insane Clown Posse’s tune “Miracles”:

If you haven’t listened to this addictive form of brain corrosion closely, here’s a sample of the lyrics:

The sun and the moon, and even Mars
The Milky Way and fucking shooting stars
UFOs, a river flows
Plant a little seed and nature grows
Niagara falls and the pyramids
Everything you believed in as kids
Fucking rainbows after it rains
There’s enough miracles here to blow your brains

It gets better. Better being worse, of course.

About halfway through, ICP tells its juggalo followers that magnets are magical and all scientists are liars: (more…)

The digital citizen

Friday, April 16th, 2010

Anonymous Internet guy, courtesy Stian EikelandReady for something fun? Then crank up your credulous dial and tune in… below is what has been on my mind lately:

Imagine Bob.

Bob is an ordinary guy with an ordinary computer, an ordinary amount of time to goof around on the internet, and an ordinary appetite to socialize.

Now imagine a world in which Bob lives, is not on Facebook, and in most cases has no idea that you even exist. (more…)

Hollywood science: A tale of abuse and inspiration

Sunday, February 28th, 2010

Last week we covered a good chunk of a talk about science in the movies, but there’s still a bit more I want to touch on.

If you didn’t read the last post, here’s a recap of points made by scientists and Hollywood folks at a panel hosted by the Science and Entertainment Exchange:

  1. Science portrayed correctly in movies and TV shows more ‘em more plausible
  2. More plausibility means better, more profitable productions
  3. Scientists are cool if Hollywood distorts one or two big scientific concepts for a good story — but good science should always follow
  4. Hollywood (and the Internet) can influence millions more science-curious people than any professor in a classroom

National Academy of Science's Science and Entertainment ExchangeIn short, more accurately portrayed science in Hollywood benefits everyone. Mo learnin’, mo money.

That’s not to say that Hollywood elites and scientists have donned flowered garlands and are frolicking together barefoot in a Utopian garden of peace. Far from it.

Hollywood writers/producers and scientists may never get there, and you may shrug your shoulders at the notion. Yet I feel — and I know scientists do as well — that this is not just a fun, cerebral discussion for shits and giggles. It’s super important stuff. (more…)

Who watches the watchmen? Scientists do

Friday, February 19th, 2010

Watchmen movie posterScience is a ragdoll in Hollywood: a plot device that’s carelessly tossed around and repeatedly abused for entertainment value. (Well, I tortured my sister’s Raggedy Ann for fun… can’t speak for the rest of the planet.)

But hope has been brewing thanks to organizations such as the Science and Entertainment Exchange, an outfit designed to hook up Hollywood producers with enthusiastic scientists.

It also happens to be led by Jennifer Ouellette, a really great blogger I asked to join Discovery in 2008. She held a panel today at the 2010 annual meeting of the American Association for the Advancement of Science (AAAS) called “Watching the Watchmen and Cheering the Heroes: The Science of Superheroes.”

The purpose of the exchange goes like this: (more…)

Ten science things Avatar got right

Monday, January 11th, 2010

Avatar 3D interplanetary spaceshipAvatar, James Cameron’s new 3D-movie spectacular, is a veritable buffet of seemingly plausible science to wow us into suspending disbelief. So much so that some of us even walk away depressed.

It’s no secret that most movies are terrible about getting science correct. But because Avatar rises above the rest, it sounded fun to list what worked for this nerd.

Disclaimer: I think filmmakers need some artistic license. As long as a director tries to get something even close to correct, and the science isn’t be insultingly misrepresented — *coughTheCorecough* — you get an “A” for effort in my gradebook.

And some points for those who haven’t seen the movie:

  1. Go see it. Please crawl out from under your rock and slam down the $10-20 to see it (IMAX 3D is amazing). The plot is as predictable as a can of baked beans, but Cameron’s zeal for going all-out compensates for this and other flaws. I’ll leave it to film critics to discuss the artistic merits.
  2. Plot 101: Pandora is a lush green moon around a gas giant planet that’s unusually rich in a rare (and made-up) mineral called “Unobtainium.” It sells for $20 million a kilogram, and a company has set up a mining operation on the moon to rake in the dough. Problem is, the moon is inhabited by monstrously tall, blue, deadly, nature-loving humanoids called the Na’vi who are pissed that the “Sky People” are pillaging their beautiful world. We jump into the story as a spaceship full of people, including one Jake Sulley — a paraplegic marine who’s filling in for his genetically similar yet recently killed scientist brother –  arrives in orbit after 6 years of travel. Sulley’s mission: to control a (very expensive) part human, part-Na’vi clone to study, help make peace with the Pandora natives, and get them out of their mile-high tree village. Which of course sits on the richest pile of unobtainium in the area.
  3. Spoiler alert! Don’t read any further if you want to be surprised in the theater.

Without further adieu, ten things Avatar got right: (more…)